Wayne Pearson
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Bibliography

Aitken, Dick, ‘Inspired By Synchronicity’
, Crafts Arts International no. 64, Sydney: Craft Arts Pty Ltd, 2005.

         ‘People in Glass Houses’,
Crafts Arts International no. 47, Sydney: Craft Arts Pty Ltd, 1990.

Aitken-Kuhnen, Helen, ‘A Journey, At The Beginning’,
Ranamok catalogue. Ranamok Glass Prize, 2004.

Allen, Christopher Allen, ‘2010 Wynne and Sulman Prizes’,
Weekend Australian, May 1-2, 2010.

Adamson, Glenn,
Thinking Through Craft, Oxford: Berg, 2007.

Anderson, Nola, ‘Pranks and Prunts’,
Craft Arts International, no. 17, Sydney: Craft Arts Pty Ltd, 1990.

Assad-Salha, Neville, ‘Place in Motion’,
Craft Arts International, no. 59, Sydney: Craft Arts Pty Ltd, 2003.

Attiwill, Suzie, ‘Untitled’
, Interact: Contemporary Craft in a Digital Age, Canberra: Craft Australia, 2005.

Bachelard, Gaston,
The Poetics of Space, trans. Jolas, Maria. Boston: Beacon Press, 1994.

Bailer, Juli Cho,
Mining Glass, catalogue, Tacoma: Museum of Glass, 2007.

“Intersections – Applying peripheral vision to a focused practice”, (keynote address, Peripheral Vision, The 15th Biennial Ausglass Conference, Sydney: Ausglass, 2011).

Baker, Alex; Devery Jane; Gellatly Kelly;
Clemenger Contemporary Art Award, catalogue, Melbourne: National Gallery of Victoria, 2009.

Bal, Micke,
Narratology:  Introduction to the Theory of Narrative, trans. van Boheemen, C., Toronto: University of Toronto Press, 1980.

Barthes, Roland,
Mythologies, trans. Lavers, Annette, New York: Hill and Wang, 1972.

The Responsibility of Forms, trans. Howard, Richard, Berkeley and Los Angeles: University of California Press, 1991.

Baudrillard, Jean,
The System of Objects, trans. Benedict, James, London and New York: Verso, 1996.

Belfrage, Clare, ‘Untitled’,
Ranamok catalogue, Ranamok Glass Prize.

Bell, Robert, ed.,
International Directions in Glass Art, catalogue, Sydney: Australian Consolidated Industries and The Art Gallery of Western Australia, 1982.

Material Culture:  Aspects of contemporary Australian craft and design, catalogue, Canberra: National Gallery of Australia, 2002.

Berlin, Isaiah,
The Roots of Romanticism, ed., Henry Hardy, Princeton: Princeton University Press, 2001.

Blackburn, Simon,
Oxford Dictionary of Philosophy, Oxford: Oxford University Press, 2005.

Blair, Annette, ‘Keith’,
Ranamok catalogue, Ranamok Glass Prize.

Blayney Brown, David,
Romanticism, London and New York: Phaidon Press, 2010.

Bond, Clare, ‘The Ranamok Glass Prize 2010’,
Craft Arts International, no. 81, Sydney: Craft Arts Pty Ltd, 2011.

Bottari, Megan,
Klaus Moje: Glass, Fishermans Bend: Craftsman House, 2006.

 ‘Intrinsic Elements… It Goes Without Saying’
, Craft Arts International, no. 74, Sydney: Craft Arts Pty Ltd, 2008.

‘Tour de Force: in case of emergency, break the glass...’,
glass central canberra, Feburary 2009, glasscentralcanberra.wordpress.com.

curator,
Tour De Force: In Case of Emergency Break Glass, catalogue, Wagga Wagga: Artisan, 2009.

“You’re a Tradie, Get Over It,” (lecture,
Peripheral Vision, Sydney: Ausglass Conference  2011).

Bottrell, Fay,
The Artist Craftsman in Australia, Aspects of Sensibility, Crows Nest: Jack Pollard Pty Ltd, 1972.

Bourriaud, Nicolas, trans., Pleasance, Simon and Woods, Fronza with Copeland, Mathieu,
Relational Aesthetics, (English translation), Paris: Les Presses du Réel, 2002.

Brewerton, Andrew, ‘On Making: Towards a Glass Poetics’,
Art Crafts International no. 59, Sydney: Craft Arts Pty Ltd, 2003.

        
Ranamok catalogue. Ranamok Glass Prize, 2003.

Butcher, Charles and Cockburn, Cobi, personal untranscribed interview 18/01/2010.

Bullock, Alan and Trombley, Stephen,
The New Fontana Dictionary of Modern Thought, London: HarperCollins, 2000.

Cahill, Lisa, ‘Dry’,
Ranamok catalogue. Ranamok Glass Prize, 2004.

Capon, Edmund, Hood, Cherry, Newton, Paul, Sayers, Andrew and Sherman, Gene,
Archibald, Image & Identity: A Portrait Forum, Sydney: Art Gallery of New South Wales, 2010.

Carter, Paul,
Material Thinking: The Theory and Practice of Creative Research, Carlton: Melbourne University Press, 2004.

Chambers, Karen S., ‘Glass in the Environment’
, Craft Arts International no. 62, Sydney: Craft Arts Pty Ltd, 2004.

Clark, Garth, “How Envy Killed the Crafts Movement”
, (lecture, Portland: Museum of Contemporary Craft and Northwest College of Art, 2008).

Cochrane, Grace, ‘Crafts in the Eighties:  A Discussion Paper.’
Ausglass Magazine. Winter ed. 1989, archive site at the University of Tasmania: Australian Association of Glass Artists, 1989.

         ‘Function?  Marbles, Monuments and Marmite Jars’,
Ausglass Post Conference ed. 1991, archive site at the University of Tasmania: Australian Association of Glass Artists, 1991.

        
The Crafts Movement in Australia: A History, Kensington: New South Wales University Press, 1992.

         ‘Bullseye Glass Company’, Craft Arts International, no. 63, Sydney: Craft Arts Pty Ltd, 2005.

        
Smart Works Design and the Handmade, Sydney: Powerhouse Publishing, 2007.

Colebrook, Claire,
Gilles Deleuze, London and New York: Routledge, 2007.

Cooke, Glenn R., ‘The Studio Glass Movement in Australia’,
Craft Arts International, no. 15, Sydney: Craft Arts Pty Ltd, 1989.

         ‘Luminous and More!’ 
Craft Arts International, no. 46, Sydney: Craft Arts Pty Ltd, 1999.

Cousins, Mark,
Twentieth Century Glass, London: New Blundell Books, 1989.

Crafts in Australia. Report of the Committee of Enquiry into the Crafts in Australia, Volume 1, Canberra: Australian Government Publishing Service, 1975.

Crafts of Australia: a pictorial anthology of Australian crafts, Sydney: Crafts Council of Australia, 1974.

Crisp, Peter, ‘A Crisp Portfolio’
, Craft Arts, no. 1, Sydney: Craft Arts Pty Ltd, 1984.

Crompton, Helen, ‘Gordon Studio Glass’,
Crafts Arts International, no. 56, Sydney: Craft Arts Pty Ltd, 2002.

Csikszentmihalyi, Mihaly,
www.ted.com/talks/mihaly_csikszentmihalyi_on_flow.html

        
Flow: The Psychology of Optimal Experience 1st ed. New York: Harper and Row, 1990.

Cummings, Keith, ‘Born of Industry’,
The UrbanGlass Art Quarterly, no. 98, New York: UrbanGlass Spring, 2005.

        
Techniques of Kiln formed Glass, London: A & C Black, 1997.

Czernis-Ryl, Eva,
Long Reef Emma Varga, catalogue, Manly Art Gallery, 2010.

Daston, Lorraine ed.,
Things That Talk: Object Lessons from Art and Science, New York: Zone Books, 2004.

Dawes, Templeton, ‘Australian Glass Strikes Resonance in Singapore.’
Craft Arts International, no. 38, Sydney: Craft Arts Pty Ltd, 1996.

Deleuze, Gilles,
Difference and Repetition, trans. Patton, Paul, New York: Columbia University Press, 1994.

        
Francis Bacon:  The Logic of Sensation, trans. Smith, Daniel W., Minneapolis: University of Minnesota Press, 2003.

Denton, Julie Anne, ‘The Three Alchemical Principals: Sulfur, Salt and Mercury.’
The Glass Art Society, Conference Journal, Pittsburgh: The Glass Art Society, 2007.

De Oliveira, Nicolas, Oxley, Nicola, Petry, Michael,
Installation Art in the New Millennium. The Empire of the Senses, London: Thames & Hudson Ltd, 2003.

Dormer, Peter,
The Art of the Maker: Skill and its Meaning in Art, Craft and Design, London: Thames and Hudson, 1994.

        
The Culture of Craft. Status and Future, Manchester and New York: Manchester University Press, 1997.

Dorra, Henri,
Symbolist Art Theories. A Critical Anthology, London: University of California Press, 1994.

Eco, Umberto,
The Open Work, trans. Cancogni, Anna, Cambridge, Massachusetts: Harvard University Press, 1989.

 Edwards, Geoffrey, ‘4th National Studio Glass Exhibition’,
Craft Arts International, no. 15, Sydney: Craft Arts Pty Ltd, 1984.

        
Art of Glass:  Glass in the collection of the National Gallery of Victoria, South Yarra: Macmillan, 1998.

Elliott, David,
“The Beauty of Distance: Songs of Survival in a Precarious Age – 17th Biennale of Sydney”, ( talk, Sydney College of the Arts, 21/4/10).

Errey, Sophia, Joppien, Rudiger and O’Callaghan, Judith,
Robert Baines: Metal. Living Treasures: Masters of Australian Craft, Sydney: Object Australian Centre Craft and Design, 2010.

Evens, Mike ed.,
Defining Moments in Art, London: Cassell, 2008.

Elliott, Judi, ‘To Buckle on One’s Armour’,
Ranamok catalogue, Ranamok Glass Prize, 2005.

Feldman, Edmund Burke,
Varieties of Visual Experience, 3rd ed. New York: Harry N. Abrams, 1987.

Fineberg, Jonathan,
Art Since 1940. Strategies for Being, New Jersey: Pentice Hall Inc, 1995.

Fitzpatrick, Kirsten, ‘At the Edge: Australishe Glaskunst/Australian Glass Art’,
Craft Arts International, no. 49, Sydney: Craft Arts Pty Ltd, 2000.

Forbat, Sophie ed.,
40 Years: Kaldor Public Art Projects, catalogue, Sydney: Art Gallery of New South Wales, 2009.

Foulds, Gordon, ‘Holly Grace and the Scandinavian Aesthetic’,
Craft Arts International, no. 79, Sydney: Craft Arts Pty Ltd, 2010.

Frantz, Susanne K.,
Contemporary Glass, New York: Harry N. Abrams, Inc., 1989.

‘Stanislav Libensky and Jaroslava Brychtova: A 40-Year Collaboration in Glass’,
Craft Arts International, no. 31, Sydney: Craft Arts Pty Ltd, 1994.

         ‘Remembering Stanislav Libensky (1921-2002).’
The Glass Art Society Journal, Seattle: Glass Art Society, 2002.

Frost, William, ed.,
Romantic and Victorian Poetry, 2nd ed., New Jersey: Prentice-Hall, 1961.

Gavan, Jane, ‘Maureen Cahill’
, Craft Arts International, no. 41, Sydney: Craft Arts Pty Ltd, 1997.

Geczy, Adam,
Art. Histories, Theories and Exceptions, Oxford and New York: Berg, 2008.

Geissler, Marie, ‘Environmental Installations in Remote Source Lighting’,
Craft Arts, no. 44, Sydney: Craft Arts Pty Ltd, 1998.

          ‘Landscapes At Nightfall’
, Craft Arts International, no. 64, Sydney: Craft Arts Pty Ltd, 2005.

          ‘Principles of Uncertainty’,
Craft Arts International, no. 65, Sydney: Craft Arts Pty Ltd, 2005.

Gibson, Grant ed.,
Crafts, No. 216, London: British Crafts Council 2009.

Gibson, James,
The Ecological Approach To Visual Perception, London: Lawrence Erlbaum Associates, 1986.

Goldstein, E. Bruce,
The Ecology of J.J. Gibson’s Perception Leonardo, Vol. 14, No. 3, Great Britain: Pergamon Press Ltd, 1981.

Gordon Bowe, Nicola, ‘One Woman’s Narrative: Debra Coombs’,
Craft Arts International, no. 34, Sydney: Craft Arts Pty Ltd, 1995.

Greenberg, Clement,
Art and Culture. Critical Essays, Boston: Beacon Press, 1967.

Grunseit, Marc, ‘Capricornia’
, Ranamok catalogue, Ranamok Glass Prize, 2009.

Guenther, Bruce,
Jessica Loughlin: Shifting Views, catalogue, Portland: The Bullseye Connection Gallery, 2005.

Hall, Fiona, (Artalks
, Sydney College of the Arts, May, 2010).

Halper, Vicki, “Makers and Designers: Collisions and Intersections”, (lecture, Sydney: College of Fine Arts, April 2011).

Hallam, Elizabeth and Ingold, Tim, eds.,
Creativity and Cultural Improvisation, Oxford and New York: Berg, 2007.

Hanning, Tony, ‘Nick Mount and The Poetics of Work’,
Craft Arts International, no. 76, Sydney: Craft Arts Pty Ltd, 2009.

         “The Wagga Show and the Language of Glass”
, (speech by Tony Hanning, Tenth Anniversary Glass Triennial, Sale Regional Gallery, Victoria in February 1992), reprinted Ausglass winter ed. 1992, archive site at the University of Tasmania: Australian Association of Glass Artists, 1992.

Harrison, Charles & Wood, Paul,
Art in Theory. 1900-2000, Melbourne: Blackwell, 2003.

Henderson, Priscilla, ‘Latitudes’,
Craft Arts International, no. 37, Sydney: Craft Arts Pty Ltd, 1996.

Hendry, Shaw, ‘The Shape of Breath’,
Craft Arts International no. 73, Sydney: Craft Arts Pty Ltd, 2008.

Hinchliffe, Meredith, ‘Primacy of Exploration’,
Craft Arts International, no. 51, Sydney: Craft Arts Pty Ltd, 2001.

         ‘Colour, Pattern & Texture’,
Craft Arts International, no. 55, Sydney: Craft Arts Pty Ltd, 2002.

Honour, Hugh,
Romanticism, New York: Westview Press, 1979.

Ioannou, Noris,
Australian Studio Glass: The Movement, Its Makers and Their Art, Sydney: Craftsman House, 1995.

        
Masters of their Craft, Sydney: Craftsman House, 1997.

         ‘When World’s Collide’
, Craft Arts International, no. 58, Sydney: Craft Arts Pty Ltd, 2003.

         “Writing Art:  Glass on the Analyst’s Couch”, (lecture: Adelaide: Glass Art Society’s 35th Annual Conference, May 7-9, 2005).

‘Red: Emma Varga’s (Glass) Art and Life’,
Craft Arts International, no. 67, Sydney: Craft Arts Pty Ltd, 2006.     

Iser, Wolfgang,
The Act of Reading:  A Theory of Aesthetic Response, Baltimore and London: The John Hopkins University Press, 1978.

Jirasek, Ivana, “Contemporary Making/Current Thinking” (talk, Sydney: Ausglass Post Conference ed. 1991, archive site at the University of Tasmania: Australian Association of Glass Artists, 1991).

         ‘Celebrating the Ordinary’,
Craft Arts International, no. 34, Sydney: Craft Arts Pty Ltd, 1995.

Johnson, Jean ed.
Exploring Contemporary Craft. History, Theory & Critical Writing, Toronto: Coach House Books 2002.

Judd, Craig,
Biennale of Sydney Guide, Sydney: Biennale of Sydney Ltd. 2004.

Kazmann, Reena, ‘Making Connections:  Australian Glass Exhibits in the USA’,
Craft Arts International, no. 25, Sydney: Craft Arts Pty Ltd, 1992.

Knox, T.M.
Hegel’s Aesthetics. Lectures on Fine Art, Volume 1, Oxford: The Clarendon Press, 1975.

Klein, Dan, ‘Abstraction in Glass’
, Craft Arts International, no. 7, Sydney: Craft Arts Pty Ltd, 1986.

Glass, A Contemporary Art, London: William Collins Sons & Co., Ltd, 1989.

Artists in Glass, London: Octopus Publishing, 2001.

 ‘Czech Glass 1945-1980:  Design in an Age of Adversity’,
Craft Arts International, no. 65, Sydney: Craft Arts Pty Ltd, 2005.

‘Expressions of Gravitas’,
Craft Arts International, no. 63, Sydney: Craft Arts Pty Ltd, 2005.

 ‘Interactive Luminance’,
Craft Arts International, no. 68, Sydney: Craft Arts Pty Ltd, 2006.

 ‘Abstract Glass Portraits’
, Craft Arts International, no. 70, Sydney: Craft Arts Pty Ltd, 2007.

 ‘Breaking the Mould’,
Craft Arts International ,no. 71, Sydney: Craft Arts Pty Ltd, 2007.

 ‘Stephen Procter’s Legacy’
, Craft Arts International, no. 73, Sydney: Craft Arts Pty Ltd, 2008.

Klein, Dan and Lloyd, Ward,
The History of Glass, London: Little, Brown and Company, 2000.

Klein, Dan and Oldknow, Tina,
Richard Whiteley, catalogue, Canberra Blue Star Print, 2009.

King, Gerry, ‘Strands of the Cord’,
Craft Arts International, no. 46, Sydney: Craft Arts Pty Ltd, 1999.

‘Nick Mount: Incandescence, review’,
Craft Arts International, no. 57, Sydney: Craft Arts Pty Ltd, 2003.

Kuspit, Donald,
The End of Art, New York: Cambridge University Press, 2008.

Lamarre, Paul and Wolfe, Melissa, “EIDIA”, (Forum presentation Sydney: Sydney College of the Arts, April 2011).

Laurence, Janet, “Making Visible” (keynote Lecture,
Open House, Ausglass 08 conference publication, Canberra: Australian Association of Glass Artists [Ausglass Inc], 2008).

Leier, Ray, Peters, Jan and Wallace, Kevin,
Contemporary Glass Color, Light and Form,

         Madison: Guild Publishing, 2001.

Levitus, Geoff,
Lying about the Landscape, Sydney: Craftsman House, 1997.

Le Lievre, Judy, ‘Art Glass from Australia’,
Craft Arts, no. 20, Sydney: Craft Arts Pty Ltd, 1990.

Jose, Nicholas, ed.
Macquarie Pen Anthology of Australian Literature, Sydney: Allen & Unwin, 2009.

Loughlin, Jessica,
Eyre, catalogue, Sydney: Sabbia Gallery 2011.

         ‘Quieting 5’,
Ranamok catalogue. Ranamok Glass Prize, 2004.

         “Beige Rainbow”, (demonstration, Adelaide: Glass Art Society’s 35th Annual Conference, 2005).

Linz, Barbara,
Glass, Potsdam: H.F.Ullmann, 2009.

Lipofsky, Marvin, “Thank you Harvey … It’s Been 47 Great Years”, (lecture, Corning: Glass Art Society 39th Annual Conference, 2009).

Lippard, Lucy R.,
Six Years: The Dematerialization of the Art Object from 1966 to 1972, Berkeley, Los Angeles and London: University of California Press, 1973, first California Paperback Printing 1992.

Lynggaard, Finn,
The Story of Studio Glass, Copenhagen: Rhodos, 1998.

Lynn, Martha Drexler,
American Studio Glass 1960 – 1990:  An Interpretive Study, New York and Manchester: Hudson Hills Press, 2004.

‘8 Days In Toledo’
, The UrbanGlass Art Quarterly no. 98, New York: UrbanGlass Spring, 2005.

Lyon, Lucy, moderator, ‘Implications of Transforming the Figure into Glass’
, GAS Conference Journal, 2007.

Lyotard, Jean-Francois,
The Postmodern Condition: A Report on Knowledge, trans. Bennington, Geoff and Massumi, Brian, Minneapolis: University of Minnesota Press, 1984.

The Differend:  Phrases in Dispute, trans. Georges Van Den Abbeele, Minneapolis: University of Minnesota Press, 1988.

McDonald, John, ‘Smart Works Design and the Handmade’,
Craft Arts International, no. 70, Sydney: Craft Arts Pty Ltd, 2010.

‘Ricky Swallow, The Bricoleur, National Gallery of Victoria, Melbourne, October 2009- February 2010’,
Craft Arts international, no. 79, Sydney: Craft Arts Pty Ltd, 2010.

McFadden, David Revere, “Museum of Arts and Design”, (public talk, Sydney: COFA and Object, 2010).

Malouf, David,
An Imaginary Life, New York: George Braziller Inc., 1978.

McMahon, Ann, ‘In The Presence of Blue’
, Craft Arts International, no. 76, Sydney: Craft Arts Pty Ltd, 2009.

Metcalf, Bruce, “The Art Glass Conundrum”, (Strattman Lecture,
39th Annual Conference Journal, Corning: Glass Art Society, 2009).

Moje, Klaus, “Technique and Skill: Its use, Development and Importance in Contemporary Glass”, (lecture, Ausglass Post Conference ed. 1991), archive site at the University of Tasmania: Australian Association of Glass Artists, 1991.

         “Dance of Colours”, (floor talk
, Sydney: Sabbia Gallery, 2010).

Morrell, Richard, ‘A Glass Palimpsest: Thematic Tableaux of Marc Grunseit’,
Craft Arts International, no. 80, Sydney: Craft Arts Pty Ltd, 2010.

Morley, Simon,
Writing on the Wall: Word and Image in Modern Art, London: Thames & Hudson Ltd., 2003.

Morris, Robert,
Continuous Project Altered Daily: The Writings of Robert Morris, Cambridge: The MIT Press, 1995.

Muecke, Stephen,
A Landscape of Variability, in Thomas, Martin, Uncertain Ground, Sydney: Art Gallery of NSW, 1999.

Murray, Chris ed.,
Key Writers on Art:  The Twentieth Century, London and New York: Routledge, 2003.

Nelson, Robert and Shiff, Richard eds.,
Critical Terms for Art History, 2nd ed. Chicago and London: The University of Chicago Press, 2003.

Neylon, John, ‘Gerry King and Graduates’,
Craft Arts International, no. 37, Sydney: Craft Arts Pty Ltd, 1996.

Nicholls, Sharon, ‘Woven Glass Vessels’,
Craft Arts International, no. 44, Sydney: Craft Arts Pty Ltd, 1998.

Noffke, Susan and Somekh, Bridget eds, 
The Sage Handbook of Educational Action Research, London: SAGE Publications Ltd., 2009.

Odgers, John, ‘Introduction’
, Ranamok catalogue, Ranamok Glass Prize, 2008.

Oldkow, Tina,
25 Years of New Glass Review, Corning, New York: The Corning Museum of Glass, 2005.

Art and Alchemy, lecture, Sydney College of the Arts, August 2010.

Oldknow, Tina moderator with Buechner, Thomas, Smith, Paul, Page, Jutta-Annette, Warmus, William,
A glimpse at the Past of Contemporary Glass: Corning’s 1959 and 1979 Exhibitions, the Toledo Nationals, and other Landmark Shows, Corning: panel presentation Glass Art Society 39th Annual Conference, 2009.

Oldkow, Tina; Klein, Dan,
Richard Whiteley, catalogue, Canberra, 2009.

Opie, Jennifer Hawkins,
Contemporary International Glass, London: V&A Publications, 2004.

Osborne, Margot,
Australian Glass Today, Adelaide: Wakefield Press, 2005.

 ‘Janice Vitkovsky: A Creative Journey Comes To Fruition’,
Craft Arts International, no. 77, Sydney: Craft Arts Pty Ltd, 2009.

Mind and Matter: Meditations on Immateriality, catalogue, Adelaide: Margot Osborne, 2010.

Osborne, Margot curator with, Bisetto, Gabriella, Cochrane, Grace, Whiteley, Richard, forum:
Mind and Matter – Meditations on immateriality, Sydney: Object Gallery, 2010.

Page, Andrew, ‘Material Foundations: The Glass Workshop at the Canberra School of Art reflects Klaus Moje’s deep respect for glass’,
The UrbanGlass Art Quarterly, no. 98, New York: UrbanGlass Spring, 2005.

Parr, Mike, “Artist Talk”, (Melbourne: Australian Centre for Contemporary Art, September 2010).

Pearson, Wayne,
Ranamok catalogue. Ranamok Glass Prize, 2010.

Preziosi, Donald, ed.,
The Art of Art History: A Critical Anthology, Oxford, New York: Oxford University Press, 2009.

Porges, Maria, ‘A Critique on Criticism’, Strattman lecture,
37th Conference Journal, Pittsburgh: Glass Art Society, 2007.

Procter, Christine and Tazzyman, Itzell,
Lines Through Light, catalogue, Canberra: RLDI and Christine Procter, 2008.

Rea, Kirstie, (Ausglass Talk, Sydney College of the Arts, Sydney, 17/11/2010).

Read, Peter,
Haunted Earth, Sydney: University of NSW Press Ltd. 2003.

Rodowick, D. N.,
Reading the Figural, or Philosophy After the New Media, Durham and London: Duke University Press, 2001.

Ross, Peter,
Let’s Face It. The History of the Archibald Prize, Sydney: Art Gallery of New South Wales, 2005.

Salvestro, Denise, “Janet Laurence”,
galeriedusseldorf.com.au/GDArtists/LaurenceJanet/JLawrence.html

Sennett, Richard,
The Craftsman, New Haven and London: Yale University Press, 2008.

Smith, Dr Craig,
Graduate Forum: Sydney College of the Arts, 31 March 2010.

Smith, Michael B.,
The Merleau-Ponty Aesthetics Reader. Philosophy and Painting, Illinois: Northwestern University Press, 1993.

Smith, Roberta, ‘Why Craft was Never a Four-Letter Word.’
New York Times Art Review, April 17, 2009.

Smith, Terry,
What is Contemporary Art? Chicago and London: The University of Chicago Press, 2009.

Snell, Ted, “Good Design. Prospects for Contemporary Jewellery and Object Making”, (keynote address JMGA conference, Perth 2010),
www.craftaustralia.org>Library

Srinivasan, Anjali, “Living Cultures in Glass: Entropy, Agriculture and Post-Glass”, (artist talk, Sydney: Sydney College of the Arts, May 11, 2011).

Stevens, Dennis, ‘Redefining Craft: From Front, Back and Side to Side.’
American Craft Magazine, Minneapolis: American Craft Council October/November 2009.

Sturken, Marita and Cartwright, Lisa,
Practices of Looking: An Introduction to Visual Culture, Oxford: Oxford University Press, 2001.

Thomas, Martin, ‘Uncertain Ground’, exhibition catalogue. Sydney: Art Gallery of NSW, 1999.

Tognon, Paola; Corgnati, Martina and Gandini, Manuela, ‘Narratives of Paradox’,
Craft Arts International, no. 61, Sydney: Craft Arts Pty Ltd, 2004.

Varga, Emma,
Ranamok catalogue, Ranamok Glass Prize, 2002.

Vignando, Catrina, ‘Leaves of Glass, New Work by Cobi Cockburn’
, Craft Arts International, no. 69, Sydney: Craft Arts Pty Ltd, 2007.

Young, Laurie, ‘Le Rêve du Rossignol’,
Ranamok catalogue, Ranamok Glass Prize, 2010.

Warmus, William, ‘The End?’
The Urban Glass Quarterly, no. 60, New York: Urban Glass Contemporary Glass Center, 1995.

Weston, Neville, ‘The Art of Fiona Hall’
, Craft Arts International, no. 64, Sydney: Craft Arts Pty Ltd, 2005.

Wood, James, ‘Small Change: Can Top Artists Working in Glass Shake off Their Stylistic Stasis?’
The UrbanGlass Quarter, no. 115. New York: UrbanGlass, 2009.

Wozniak, Robert and Fischer, Kurt, eds.,
Development in Context:  Acting and Thinking in Specific Environments, Hillsdale, New Jersey, Hove and London: Lawrence Erlbaum Associates, 1993.

Wright, Richard and Ward, Lawrence,
Orienting of Attention, New York: Oxford University Press, 2008.

Zimmer, Jenny,
Glass from Australia and New Zealand, catalogue, Sydney: Craft Arts Pty Ltd, 1984.

‘Overseas Studio Glass’,
Craft Arts, no.1, Sydney: Craft Arts Pty Ltd, 1984.

‘Glass From Australia’
, Craft Arts ,no. 2, Sydney: Craft Arts Pty Ltd, 1985.

‘Glass Mind-Games’
, Craft Arts International, no. 13, Sydney: Craft Arts Pty Ltd, 1988.

‘The Cutting Edge’
, Craft Arts International, no. 32, Sydney: Craft Arts Pty Ltd, 1995.


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