Bibliography
Aitken, Dick, ‘Inspired By Synchronicity’, Crafts Arts International no. 64, Sydney: Craft Arts Pty Ltd, 2005.
‘People in Glass Houses’, Crafts Arts International no. 47, Sydney: Craft Arts Pty Ltd, 1990.
Aitken-Kuhnen, Helen, ‘A Journey, At The Beginning’, Ranamok catalogue. Ranamok Glass Prize, 2004.
Allen, Christopher Allen, ‘2010 Wynne and Sulman Prizes’, Weekend Australian, May 1-2, 2010.
Adamson, Glenn, Thinking Through Craft, Oxford: Berg, 2007.
Anderson, Nola, ‘Pranks and Prunts’, Craft Arts International, no. 17, Sydney: Craft Arts Pty Ltd, 1990.
Assad-Salha, Neville, ‘Place in Motion’, Craft Arts International, no. 59, Sydney: Craft Arts Pty Ltd, 2003.
Attiwill, Suzie, ‘Untitled’, Interact: Contemporary Craft in a Digital Age, Canberra: Craft Australia, 2005.
Bachelard, Gaston, The Poetics of Space, trans. Jolas, Maria. Boston: Beacon Press, 1994.
Bailer, Juli Cho, Mining Glass, catalogue, Tacoma: Museum of Glass, 2007.
“Intersections – Applying peripheral vision to a focused practice”, (keynote address, Peripheral Vision, The 15th Biennial Ausglass Conference, Sydney: Ausglass, 2011).
Baker, Alex; Devery Jane; Gellatly Kelly; Clemenger Contemporary Art Award, catalogue, Melbourne: National Gallery of Victoria, 2009.
Bal, Micke, Narratology: Introduction to the Theory of Narrative, trans. van Boheemen, C., Toronto: University of Toronto Press, 1980.
Barthes, Roland, Mythologies, trans. Lavers, Annette, New York: Hill and Wang, 1972.
The Responsibility of Forms, trans. Howard, Richard, Berkeley and Los Angeles: University of California Press, 1991.
Baudrillard, Jean, The System of Objects, trans. Benedict, James, London and New York: Verso, 1996.
Belfrage, Clare, ‘Untitled’, Ranamok catalogue, Ranamok Glass Prize.
Bell, Robert, ed., International Directions in Glass Art, catalogue, Sydney: Australian Consolidated Industries and The Art Gallery of Western Australia, 1982.
Material Culture: Aspects of contemporary Australian craft and design, catalogue, Canberra: National Gallery of Australia, 2002.
Berlin, Isaiah, The Roots of Romanticism, ed., Henry Hardy, Princeton: Princeton University Press, 2001.
Blackburn, Simon, Oxford Dictionary of Philosophy, Oxford: Oxford University Press, 2005.
Blair, Annette, ‘Keith’, Ranamok catalogue, Ranamok Glass Prize.
Blayney Brown, David, Romanticism, London and New York: Phaidon Press, 2010.
Bond, Clare, ‘The Ranamok Glass Prize 2010’, Craft Arts International, no. 81, Sydney: Craft Arts Pty Ltd, 2011.
Bottari, Megan, Klaus Moje: Glass, Fishermans Bend: Craftsman House, 2006.
‘Intrinsic Elements… It Goes Without Saying’, Craft Arts International, no. 74, Sydney: Craft Arts Pty Ltd, 2008.
‘Tour de Force: in case of emergency, break the glass...’, glass central canberra, Feburary 2009, glasscentralcanberra.wordpress.com.
curator, Tour De Force: In Case of Emergency Break Glass, catalogue, Wagga Wagga: Artisan, 2009.
“You’re a Tradie, Get Over It,” (lecture, Peripheral Vision, Sydney: Ausglass Conference 2011).
Bottrell, Fay, The Artist Craftsman in Australia, Aspects of Sensibility, Crows Nest: Jack Pollard Pty Ltd, 1972.
Bourriaud, Nicolas, trans., Pleasance, Simon and Woods, Fronza with Copeland, Mathieu, Relational Aesthetics, (English translation), Paris: Les Presses du Réel, 2002.
Brewerton, Andrew, ‘On Making: Towards a Glass Poetics’, Art Crafts International no. 59, Sydney: Craft Arts Pty Ltd, 2003.
Ranamok catalogue. Ranamok Glass Prize, 2003.
Butcher, Charles and Cockburn, Cobi, personal untranscribed interview 18/01/2010.
Bullock, Alan and Trombley, Stephen, The New Fontana Dictionary of Modern Thought, London: HarperCollins, 2000.
Cahill, Lisa, ‘Dry’, Ranamok catalogue. Ranamok Glass Prize, 2004.
Capon, Edmund, Hood, Cherry, Newton, Paul, Sayers, Andrew and Sherman, Gene, Archibald, Image & Identity: A Portrait Forum, Sydney: Art Gallery of New South Wales, 2010.
Carter, Paul, Material Thinking: The Theory and Practice of Creative Research, Carlton: Melbourne University Press, 2004.
Chambers, Karen S., ‘Glass in the Environment’, Craft Arts International no. 62, Sydney: Craft Arts Pty Ltd, 2004.
Clark, Garth, “How Envy Killed the Crafts Movement”, (lecture, Portland: Museum of Contemporary Craft and Northwest College of Art, 2008).
Cochrane, Grace, ‘Crafts in the Eighties: A Discussion Paper.’ Ausglass Magazine. Winter ed. 1989, archive site at the University of Tasmania: Australian Association of Glass Artists, 1989.
‘Function? Marbles, Monuments and Marmite Jars’, Ausglass Post Conference ed. 1991, archive site at the University of Tasmania: Australian Association of Glass Artists, 1991.
The Crafts Movement in Australia: A History, Kensington: New South Wales University Press, 1992.
‘Bullseye Glass Company’, Craft Arts International, no. 63, Sydney: Craft Arts Pty Ltd, 2005.
Smart Works Design and the Handmade, Sydney: Powerhouse Publishing, 2007.
Colebrook, Claire, Gilles Deleuze, London and New York: Routledge, 2007.
Cooke, Glenn R., ‘The Studio Glass Movement in Australia’, Craft Arts International, no. 15, Sydney: Craft Arts Pty Ltd, 1989.
‘Luminous and More!’ Craft Arts International, no. 46, Sydney: Craft Arts Pty Ltd, 1999.
Cousins, Mark, Twentieth Century Glass, London: New Blundell Books, 1989.
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Techniques of Kiln formed Glass, London: A & C Black, 1997.
Czernis-Ryl, Eva, Long Reef Emma Varga, catalogue, Manly Art Gallery, 2010.
Daston, Lorraine ed., Things That Talk: Object Lessons from Art and Science, New York: Zone Books, 2004.
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Elliott, David, “The Beauty of Distance: Songs of Survival in a Precarious Age – 17th Biennale of Sydney”, ( talk, Sydney College of the Arts, 21/4/10).
Errey, Sophia, Joppien, Rudiger and O’Callaghan, Judith, Robert Baines: Metal. Living Treasures: Masters of Australian Craft, Sydney: Object Australian Centre Craft and Design, 2010.
Evens, Mike ed., Defining Moments in Art, London: Cassell, 2008.
Elliott, Judi, ‘To Buckle on One’s Armour’, Ranamok catalogue, Ranamok Glass Prize, 2005.
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Fitzpatrick, Kirsten, ‘At the Edge: Australishe Glaskunst/Australian Glass Art’, Craft Arts International, no. 49, Sydney: Craft Arts Pty Ltd, 2000.
Forbat, Sophie ed., 40 Years: Kaldor Public Art Projects, catalogue, Sydney: Art Gallery of New South Wales, 2009.
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‘Landscapes At Nightfall’, Craft Arts International, no. 64, Sydney: Craft Arts Pty Ltd, 2005.
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Gordon Bowe, Nicola, ‘One Woman’s Narrative: Debra Coombs’, Craft Arts International, no. 34, Sydney: Craft Arts Pty Ltd, 1995.
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Grunseit, Marc, ‘Capricornia’, Ranamok catalogue, Ranamok Glass Prize, 2009.
Guenther, Bruce, Jessica Loughlin: Shifting Views, catalogue, Portland: The Bullseye Connection Gallery, 2005.
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Halper, Vicki, “Makers and Designers: Collisions and Intersections”, (lecture, Sydney: College of Fine Arts, April 2011).
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Hanning, Tony, ‘Nick Mount and The Poetics of Work’, Craft Arts International, no. 76, Sydney: Craft Arts Pty Ltd, 2009.
“The Wagga Show and the Language of Glass”, (speech by Tony Hanning, Tenth Anniversary Glass Triennial, Sale Regional Gallery, Victoria in February 1992), reprinted Ausglass winter ed. 1992, archive site at the University of Tasmania: Australian Association of Glass Artists, 1992.
Harrison, Charles & Wood, Paul, Art in Theory. 1900-2000, Melbourne: Blackwell, 2003.
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Hendry, Shaw, ‘The Shape of Breath’, Craft Arts International no. 73, Sydney: Craft Arts Pty Ltd, 2008.
Hinchliffe, Meredith, ‘Primacy of Exploration’, Craft Arts International, no. 51, Sydney: Craft Arts Pty Ltd, 2001.
‘Colour, Pattern & Texture’, Craft Arts International, no. 55, Sydney: Craft Arts Pty Ltd, 2002.
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Ioannou, Noris, Australian Studio Glass: The Movement, Its Makers and Their Art, Sydney: Craftsman House, 1995.
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‘When World’s Collide’, Craft Arts International, no. 58, Sydney: Craft Arts Pty Ltd, 2003.
“Writing Art: Glass on the Analyst’s Couch”, (lecture: Adelaide: Glass Art Society’s 35th Annual Conference, May 7-9, 2005).
‘Red: Emma Varga’s (Glass) Art and Life’, Craft Arts International, no. 67, Sydney: Craft Arts Pty Ltd, 2006.
Iser, Wolfgang, The Act of Reading: A Theory of Aesthetic Response, Baltimore and London: The John Hopkins University Press, 1978.
Jirasek, Ivana, “Contemporary Making/Current Thinking” (talk, Sydney: Ausglass Post Conference ed. 1991, archive site at the University of Tasmania: Australian Association of Glass Artists, 1991).
‘Celebrating the Ordinary’, Craft Arts International, no. 34, Sydney: Craft Arts Pty Ltd, 1995.
Johnson, Jean ed. Exploring Contemporary Craft. History, Theory & Critical Writing, Toronto: Coach House Books 2002.
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Glass, A Contemporary Art, London: William Collins Sons & Co., Ltd, 1989.
Artists in Glass, London: Octopus Publishing, 2001.
‘Czech Glass 1945-1980: Design in an Age of Adversity’, Craft Arts International, no. 65, Sydney: Craft Arts Pty Ltd, 2005.
‘Expressions of Gravitas’, Craft Arts International, no. 63, Sydney: Craft Arts Pty Ltd, 2005.
‘Interactive Luminance’, Craft Arts International, no. 68, Sydney: Craft Arts Pty Ltd, 2006.
‘Abstract Glass Portraits’, Craft Arts International, no. 70, Sydney: Craft Arts Pty Ltd, 2007.
‘Breaking the Mould’, Craft Arts International ,no. 71, Sydney: Craft Arts Pty Ltd, 2007.
‘Stephen Procter’s Legacy’, Craft Arts International, no. 73, Sydney: Craft Arts Pty Ltd, 2008.
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Klein, Dan and Oldknow, Tina, Richard Whiteley, catalogue, Canberra Blue Star Print, 2009.
King, Gerry, ‘Strands of the Cord’, Craft Arts International, no. 46, Sydney: Craft Arts Pty Ltd, 1999.
‘Nick Mount: Incandescence, review’, Craft Arts International, no. 57, Sydney: Craft Arts Pty Ltd, 2003.
Kuspit, Donald, The End of Art, New York: Cambridge University Press, 2008.
Lamarre, Paul and Wolfe, Melissa, “EIDIA”, (Forum presentation Sydney: Sydney College of the Arts, April 2011).
Laurence, Janet, “Making Visible” (keynote Lecture, Open House, Ausglass 08 conference publication, Canberra: Australian Association of Glass Artists [Ausglass Inc], 2008).
Leier, Ray, Peters, Jan and Wallace, Kevin, Contemporary Glass Color, Light and Form,
Madison: Guild Publishing, 2001.
Levitus, Geoff, Lying about the Landscape, Sydney: Craftsman House, 1997.
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Jose, Nicholas, ed. Macquarie Pen Anthology of Australian Literature, Sydney: Allen & Unwin, 2009.
Loughlin, Jessica, Eyre, catalogue, Sydney: Sabbia Gallery 2011.
‘Quieting 5’, Ranamok catalogue. Ranamok Glass Prize, 2004.
“Beige Rainbow”, (demonstration, Adelaide: Glass Art Society’s 35th Annual Conference, 2005).
Linz, Barbara, Glass, Potsdam: H.F.Ullmann, 2009.
Lipofsky, Marvin, “Thank you Harvey … It’s Been 47 Great Years”, (lecture, Corning: Glass Art Society 39th Annual Conference, 2009).
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Lynggaard, Finn, The Story of Studio Glass, Copenhagen: Rhodos, 1998.
Lynn, Martha Drexler, American Studio Glass 1960 – 1990: An Interpretive Study, New York and Manchester: Hudson Hills Press, 2004.
‘8 Days In Toledo’, The UrbanGlass Art Quarterly no. 98, New York: UrbanGlass Spring, 2005.
Lyon, Lucy, moderator, ‘Implications of Transforming the Figure into Glass’, GAS Conference Journal, 2007.
Lyotard, Jean-Francois, The Postmodern Condition: A Report on Knowledge, trans. Bennington, Geoff and Massumi, Brian, Minneapolis: University of Minnesota Press, 1984.
The Differend: Phrases in Dispute, trans. Georges Van Den Abbeele, Minneapolis: University of Minnesota Press, 1988.
McDonald, John, ‘Smart Works Design and the Handmade’, Craft Arts International, no. 70, Sydney: Craft Arts Pty Ltd, 2010.
‘Ricky Swallow, The Bricoleur, National Gallery of Victoria, Melbourne, October 2009- February 2010’, Craft Arts international, no. 79, Sydney: Craft Arts Pty Ltd, 2010.
McFadden, David Revere, “Museum of Arts and Design”, (public talk, Sydney: COFA and Object, 2010).
Malouf, David, An Imaginary Life, New York: George Braziller Inc., 1978.
McMahon, Ann, ‘In The Presence of Blue’, Craft Arts International, no. 76, Sydney: Craft Arts Pty Ltd, 2009.
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Moje, Klaus, “Technique and Skill: Its use, Development and Importance in Contemporary Glass”, (lecture, Ausglass Post Conference ed. 1991), archive site at the University of Tasmania: Australian Association of Glass Artists, 1991.
“Dance of Colours”, (floor talk, Sydney: Sabbia Gallery, 2010).
Morrell, Richard, ‘A Glass Palimpsest: Thematic Tableaux of Marc Grunseit’, Craft Arts International, no. 80, Sydney: Craft Arts Pty Ltd, 2010.
Morley, Simon, Writing on the Wall: Word and Image in Modern Art, London: Thames & Hudson Ltd., 2003.
Morris, Robert, Continuous Project Altered Daily: The Writings of Robert Morris, Cambridge: The MIT Press, 1995.
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Neylon, John, ‘Gerry King and Graduates’, Craft Arts International, no. 37, Sydney: Craft Arts Pty Ltd, 1996.
Nicholls, Sharon, ‘Woven Glass Vessels’, Craft Arts International, no. 44, Sydney: Craft Arts Pty Ltd, 1998.
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Odgers, John, ‘Introduction’, Ranamok catalogue, Ranamok Glass Prize, 2008.
Oldkow, Tina, 25 Years of New Glass Review, Corning, New York: The Corning Museum of Glass, 2005.
Art and Alchemy, lecture, Sydney College of the Arts, August 2010.
Oldknow, Tina moderator with Buechner, Thomas, Smith, Paul, Page, Jutta-Annette, Warmus, William, A glimpse at the Past of Contemporary Glass: Corning’s 1959 and 1979 Exhibitions, the Toledo Nationals, and other Landmark Shows, Corning: panel presentation Glass Art Society 39th Annual Conference, 2009.
Oldkow, Tina; Klein, Dan, Richard Whiteley, catalogue, Canberra, 2009.
Opie, Jennifer Hawkins, Contemporary International Glass, London: V&A Publications, 2004.
Osborne, Margot, Australian Glass Today, Adelaide: Wakefield Press, 2005.
‘Janice Vitkovsky: A Creative Journey Comes To Fruition’, Craft Arts International, no. 77, Sydney: Craft Arts Pty Ltd, 2009.
Mind and Matter: Meditations on Immateriality, catalogue, Adelaide: Margot Osborne, 2010.
Osborne, Margot curator with, Bisetto, Gabriella, Cochrane, Grace, Whiteley, Richard, forum: Mind and Matter – Meditations on immateriality, Sydney: Object Gallery, 2010.
Page, Andrew, ‘Material Foundations: The Glass Workshop at the Canberra School of Art reflects Klaus Moje’s deep respect for glass’, The UrbanGlass Art Quarterly, no. 98, New York: UrbanGlass Spring, 2005.
Parr, Mike, “Artist Talk”, (Melbourne: Australian Centre for Contemporary Art, September 2010).
Pearson, Wayne, Ranamok catalogue. Ranamok Glass Prize, 2010.
Preziosi, Donald, ed., The Art of Art History: A Critical Anthology, Oxford, New York: Oxford University Press, 2009.
Porges, Maria, ‘A Critique on Criticism’, Strattman lecture, 37th Conference Journal, Pittsburgh: Glass Art Society, 2007.
Procter, Christine and Tazzyman, Itzell, Lines Through Light, catalogue, Canberra: RLDI and Christine Procter, 2008.
Rea, Kirstie, (Ausglass Talk, Sydney College of the Arts, Sydney, 17/11/2010).
Read, Peter, Haunted Earth, Sydney: University of NSW Press Ltd. 2003.
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Sennett, Richard, The Craftsman, New Haven and London: Yale University Press, 2008.
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Smith, Roberta, ‘Why Craft was Never a Four-Letter Word.’ New York Times Art Review, April 17, 2009.
Smith, Terry, What is Contemporary Art? Chicago and London: The University of Chicago Press, 2009.
Snell, Ted, “Good Design. Prospects for Contemporary Jewellery and Object Making”, (keynote address JMGA conference, Perth 2010), www.craftaustralia.org>Library
Srinivasan, Anjali, “Living Cultures in Glass: Entropy, Agriculture and Post-Glass”, (artist talk, Sydney: Sydney College of the Arts, May 11, 2011).
Stevens, Dennis, ‘Redefining Craft: From Front, Back and Side to Side.’ American Craft Magazine, Minneapolis: American Craft Council October/November 2009.
Sturken, Marita and Cartwright, Lisa, Practices of Looking: An Introduction to Visual Culture, Oxford: Oxford University Press, 2001.
Thomas, Martin, ‘Uncertain Ground’, exhibition catalogue. Sydney: Art Gallery of NSW, 1999.
Tognon, Paola; Corgnati, Martina and Gandini, Manuela, ‘Narratives of Paradox’, Craft Arts International, no. 61, Sydney: Craft Arts Pty Ltd, 2004.
Varga, Emma, Ranamok catalogue, Ranamok Glass Prize, 2002.
Vignando, Catrina, ‘Leaves of Glass, New Work by Cobi Cockburn’, Craft Arts International, no. 69, Sydney: Craft Arts Pty Ltd, 2007.
Young, Laurie, ‘Le Rêve du Rossignol’, Ranamok catalogue, Ranamok Glass Prize, 2010.
Warmus, William, ‘The End?’ The Urban Glass Quarterly, no. 60, New York: Urban Glass Contemporary Glass Center, 1995.
Weston, Neville, ‘The Art of Fiona Hall’, Craft Arts International, no. 64, Sydney: Craft Arts Pty Ltd, 2005.
Wood, James, ‘Small Change: Can Top Artists Working in Glass Shake off Their Stylistic Stasis?’ The UrbanGlass Quarter, no. 115. New York: UrbanGlass, 2009.
Wozniak, Robert and Fischer, Kurt, eds., Development in Context: Acting and Thinking in Specific Environments, Hillsdale, New Jersey, Hove and London: Lawrence Erlbaum Associates, 1993.
Wright, Richard and Ward, Lawrence, Orienting of Attention, New York: Oxford University Press, 2008.
Zimmer, Jenny, Glass from Australia and New Zealand, catalogue, Sydney: Craft Arts Pty Ltd, 1984.
‘Overseas Studio Glass’, Craft Arts, no.1, Sydney: Craft Arts Pty Ltd, 1984.
‘Glass From Australia’, Craft Arts ,no. 2, Sydney: Craft Arts Pty Ltd, 1985.
‘Glass Mind-Games’, Craft Arts International, no. 13, Sydney: Craft Arts Pty Ltd, 1988.
‘The Cutting Edge’, Craft Arts International, no. 32, Sydney: Craft Arts Pty Ltd, 1995.
Return to contents page
Aitken, Dick, ‘Inspired By Synchronicity’, Crafts Arts International no. 64, Sydney: Craft Arts Pty Ltd, 2005.
‘People in Glass Houses’, Crafts Arts International no. 47, Sydney: Craft Arts Pty Ltd, 1990.
Aitken-Kuhnen, Helen, ‘A Journey, At The Beginning’, Ranamok catalogue. Ranamok Glass Prize, 2004.
Allen, Christopher Allen, ‘2010 Wynne and Sulman Prizes’, Weekend Australian, May 1-2, 2010.
Adamson, Glenn, Thinking Through Craft, Oxford: Berg, 2007.
Anderson, Nola, ‘Pranks and Prunts’, Craft Arts International, no. 17, Sydney: Craft Arts Pty Ltd, 1990.
Assad-Salha, Neville, ‘Place in Motion’, Craft Arts International, no. 59, Sydney: Craft Arts Pty Ltd, 2003.
Attiwill, Suzie, ‘Untitled’, Interact: Contemporary Craft in a Digital Age, Canberra: Craft Australia, 2005.
Bachelard, Gaston, The Poetics of Space, trans. Jolas, Maria. Boston: Beacon Press, 1994.
Bailer, Juli Cho, Mining Glass, catalogue, Tacoma: Museum of Glass, 2007.
“Intersections – Applying peripheral vision to a focused practice”, (keynote address, Peripheral Vision, The 15th Biennial Ausglass Conference, Sydney: Ausglass, 2011).
Baker, Alex; Devery Jane; Gellatly Kelly; Clemenger Contemporary Art Award, catalogue, Melbourne: National Gallery of Victoria, 2009.
Bal, Micke, Narratology: Introduction to the Theory of Narrative, trans. van Boheemen, C., Toronto: University of Toronto Press, 1980.
Barthes, Roland, Mythologies, trans. Lavers, Annette, New York: Hill and Wang, 1972.
The Responsibility of Forms, trans. Howard, Richard, Berkeley and Los Angeles: University of California Press, 1991.
Baudrillard, Jean, The System of Objects, trans. Benedict, James, London and New York: Verso, 1996.
Belfrage, Clare, ‘Untitled’, Ranamok catalogue, Ranamok Glass Prize.
Bell, Robert, ed., International Directions in Glass Art, catalogue, Sydney: Australian Consolidated Industries and The Art Gallery of Western Australia, 1982.
Material Culture: Aspects of contemporary Australian craft and design, catalogue, Canberra: National Gallery of Australia, 2002.
Berlin, Isaiah, The Roots of Romanticism, ed., Henry Hardy, Princeton: Princeton University Press, 2001.
Blackburn, Simon, Oxford Dictionary of Philosophy, Oxford: Oxford University Press, 2005.
Blair, Annette, ‘Keith’, Ranamok catalogue, Ranamok Glass Prize.
Blayney Brown, David, Romanticism, London and New York: Phaidon Press, 2010.
Bond, Clare, ‘The Ranamok Glass Prize 2010’, Craft Arts International, no. 81, Sydney: Craft Arts Pty Ltd, 2011.
Bottari, Megan, Klaus Moje: Glass, Fishermans Bend: Craftsman House, 2006.
‘Intrinsic Elements… It Goes Without Saying’, Craft Arts International, no. 74, Sydney: Craft Arts Pty Ltd, 2008.
‘Tour de Force: in case of emergency, break the glass...’, glass central canberra, Feburary 2009, glasscentralcanberra.wordpress.com.
curator, Tour De Force: In Case of Emergency Break Glass, catalogue, Wagga Wagga: Artisan, 2009.
“You’re a Tradie, Get Over It,” (lecture, Peripheral Vision, Sydney: Ausglass Conference 2011).
Bottrell, Fay, The Artist Craftsman in Australia, Aspects of Sensibility, Crows Nest: Jack Pollard Pty Ltd, 1972.
Bourriaud, Nicolas, trans., Pleasance, Simon and Woods, Fronza with Copeland, Mathieu, Relational Aesthetics, (English translation), Paris: Les Presses du Réel, 2002.
Brewerton, Andrew, ‘On Making: Towards a Glass Poetics’, Art Crafts International no. 59, Sydney: Craft Arts Pty Ltd, 2003.
Ranamok catalogue. Ranamok Glass Prize, 2003.
Butcher, Charles and Cockburn, Cobi, personal untranscribed interview 18/01/2010.
Bullock, Alan and Trombley, Stephen, The New Fontana Dictionary of Modern Thought, London: HarperCollins, 2000.
Cahill, Lisa, ‘Dry’, Ranamok catalogue. Ranamok Glass Prize, 2004.
Capon, Edmund, Hood, Cherry, Newton, Paul, Sayers, Andrew and Sherman, Gene, Archibald, Image & Identity: A Portrait Forum, Sydney: Art Gallery of New South Wales, 2010.
Carter, Paul, Material Thinking: The Theory and Practice of Creative Research, Carlton: Melbourne University Press, 2004.
Chambers, Karen S., ‘Glass in the Environment’, Craft Arts International no. 62, Sydney: Craft Arts Pty Ltd, 2004.
Clark, Garth, “How Envy Killed the Crafts Movement”, (lecture, Portland: Museum of Contemporary Craft and Northwest College of Art, 2008).
Cochrane, Grace, ‘Crafts in the Eighties: A Discussion Paper.’ Ausglass Magazine. Winter ed. 1989, archive site at the University of Tasmania: Australian Association of Glass Artists, 1989.
‘Function? Marbles, Monuments and Marmite Jars’, Ausglass Post Conference ed. 1991, archive site at the University of Tasmania: Australian Association of Glass Artists, 1991.
The Crafts Movement in Australia: A History, Kensington: New South Wales University Press, 1992.
‘Bullseye Glass Company’, Craft Arts International, no. 63, Sydney: Craft Arts Pty Ltd, 2005.
Smart Works Design and the Handmade, Sydney: Powerhouse Publishing, 2007.
Colebrook, Claire, Gilles Deleuze, London and New York: Routledge, 2007.
Cooke, Glenn R., ‘The Studio Glass Movement in Australia’, Craft Arts International, no. 15, Sydney: Craft Arts Pty Ltd, 1989.
‘Luminous and More!’ Craft Arts International, no. 46, Sydney: Craft Arts Pty Ltd, 1999.
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‘Overseas Studio Glass’, Craft Arts, no.1, Sydney: Craft Arts Pty Ltd, 1984.
‘Glass From Australia’, Craft Arts ,no. 2, Sydney: Craft Arts Pty Ltd, 1985.
‘Glass Mind-Games’, Craft Arts International, no. 13, Sydney: Craft Arts Pty Ltd, 1988.
‘The Cutting Edge’, Craft Arts International, no. 32, Sydney: Craft Arts Pty Ltd, 1995.
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